Teaching Rachel Lloyd’s Girls Like Us on the Commercial Sexual Exploitation of Children

My student, Genevieve, interviews Rachel Lloyd, founder and director of GEMS, about her memoir Girls Like Us at our 2011 annual  GEMS assembly (photo courtesy, Laura Hahn).

My student, Genevieve, interviews Rachel Lloyd, founder and director of GEMS, about her memoir Girls Like Us at our annual GEMS assembly in 2011 (photo courtesy, Laura Hahn).

In the spring of 2009, I was searching for something to make my then new high school feminism course have a sense of purpose. I wanted to teach students not just feminist theory and literature but how to learn and care strongly about an issue to mobilize them into action and advocacy.

My students wanted more out of the course, too. One after another, they–both girls and guys–shared in their course evaluations that they wanted to learn about a current issue involving girls and women that they could rally around. I took their request seriously.

That spring, I chanced upon a screening of Very Young Girls (2008) at Bluestockings, a radical feminist bookstore on the Lower East Side of New York. The film documents the work that Rachel Lloyd, founder and chief executive officer of GEMS (Girls Educational and Mentoring Services), has done to stop the cycle of commercial sexual exploitation of children in New York’s streets. Founded in 1998 in Lloyd’s own kitchen, GEMS is the only agency in New York State specifically designed to serve girls and young women who have experienced commercial sexual exploitation and domestic trafficking.

Among many services that provide prevention and outreach, GEMS ultimately helps girls and young women leave their exploiters–or their pimps–to live new lives of survival and support and eventually, of leadership and vision.

After attending that one screening, my entire course changed. Continue reading

Guest Blog: Krystle Merchant on Teaching Women’s History

Krystle Merchant teaches a high school women’s history class at an all-girls school outside of Washington, D.C. (photo courtesy, Krystle Merchant)

The following guest blog by Krystle Merchant is the final post in a three-part series on teaching for social justice featuring the work of educators in primary, middle, and high school classrooms.

Krystle Merchant is a teacher and proud feminist at an all-girls high school in the suburbs of Washington, D.C. 

As a young, black female history teacher at a private school in the Virginia suburbs of Washington, D.C., I often feel pressured to speak to colleagues and parents on behalf of many different communities. As a result, I try to educate girls to be willing and able to do the same as adult women, regardless of which communities they represent. This is especially true in my Women in the United States senior history elective, where I draw my students’ attention to their current and future experiences as women, the importance of gender to the meaning of history, and the construction of the historical narrative.

On the first day of class, we start with a simple survey. The first question, “Are you a feminist?,” always gets a qualified answer. Even seniors at an all-girls high school, who are choosing to take a course in women’s history, do not feel comfortable identifying as feminists. The term is so deeply connected to negative stereotypes of women, that even when they give a good working definition of feminism, they do not want to associate themselves with the term.

To chip away at their internalized barrier to feminism, I ask my girls to identify, follow, and respond regularly to a feminist blog such as the fbomb, Feministing, and Feminists for Choice. From there, the course proceeds by reviewing much of the same content covered in their junior year survey course on U.S. History.

However, rather than discussing notable American women or women’s contributions to the usual textbook topics, we talk about periodization, access to power, and production. The latter term “production” refers to the sources available for our study and whether they were produced by women. Women’s societal status at any given time determined the kinds of information they could produce and whether that information became accessible for later study. Continue reading

Guest Post: Feminism: Much More Than Women’s Rights

Meiling Jabbaar, former high school feminism student, and Ileana Jiménez (Feminist Teacher).

Last year, I launched an on-going guest post series written by my former high school students reflecting on the impact of learning feminism(s) in high school. To mark the beginning of the school year and to inspire teachers to bring a feminist vision to their curricula, I’m posting a piece written by my former student, Meiling Jabbaar, who took my course on feminism her senior year last fall. In this essay, Meiling teaches all of us that learning about feminism in high school made an impact on finding her voice. Meiling will be attending Brown University this fall.

Growing up as a young woman in today’s society, I have always been aware of issues that women, teenage girls, and even young girls face.  When I learned about the feminism course offered by Ileana Jiménez, who teaches in the English department at my high school, I realized that I would have the chance to discuss topics to which I could relate.  But little did I know how much of an impact the class would have on me.

My Fierce and Fabulous: Feminist Women Writers, Artists, and Activists class, which I took during the first trimester of my senior year, did much more than expose me to the world of feminism.  In providing the space to talk about issues important to me, such as female stereotypes, issues of beauty, and how women are portrayed in the media, I learned ways in which I could solve these problems, while at the same time, I learned a lot about myself.

Before taking the class, the only thing that came to mind when I thought about feminism was women’s rights.  I soon learned that feminism entails so much more.  First, we focused on feminist theory.  We read the works of various renowned feminist writers, including bell hooks, Audre Lorde, Cherríe Moraga, and Virginia Woolf.  I was overwhelmed and moved by their powerful pieces that analyze the history and roots of the struggles that plague the lives of women.  After reading these writers, my eyes were opened to what feminism truly represents. Continue reading