In the spring of 1994 during my first year in college, Cherríe Moraga changed my life forever. Her essay “A Long Line of Vendidas” from Loving in the War Years gave me the language I would forever use to understand my brownness, my queer identity, and my feminism.
“To be a woman fully necessitated my claiming the race of my mother. My brother’s sex was white. Mine, brown.”
I recently met Moraga at the red carpet premiere of the MAKERS documentary Women Who Make America in New York. As I watched the first hour of the film during the premiere, I was excited to see a shot of the now classic 1980 photo of Moraga with Audre Lorde and Barbara Smith wearing their Kitchen Table: Woman of Color Press t-shirts. Kitchen Table was the first woman of color independent press that became well-known for publishing the groundbreaking collection This Bridge Called My Back.
Edited by Gloria Anzaldúa and Moraga in 1983, the pieces in Bridge paved the way for how we breathe, speak, and love feminism today. We only need mention these women’s names and we all immediately recognize the bridge they built for our collective feminist consciousness.
Anzaldúa, Lorde, Moraga, and Barbara Smith (who is also featured in MAKERS) were the women who revolutionized feminism. They were the ones who brought an analysis of race, class, and ethnicity to our critical discussions of gender and sexuality. They were the ones who taught us how to bring this intersectional lens to issues of education, immigration, labor, reproductive rights, and much more.
Indeed, they created the feminism we so revere and rally around today. Continue reading